IAMA Art Museum in San Francisco

                                                                       Noble Manner

Artist: H.H. Dorje Chang Buddha III

The two Chinese characters in this work of calligraphy mean “Noble Manner.” They manifest a calligraphic style that is different from other styles in the world. The artist created this work of calligraphy free of any mental attachment or artificiality and without any pre-existing calligraphic plan or intent. His writing hand was unfettered, and his heart was free. All movements of the brush were spontaneous. A natural charm that springs from childlike innocence were attained. This type of impromptu wielding of the brush can be described as the cursive writing style of a child. The term “Noble Manner” means that one should have an elevated and broad manner, an all-inclusive magnanimity. We should let others, rather than ourselves, have that which is beneficial so that we may attain a noble moral character, and we should cultivate a mentality of non-attachment in order to develop our virtue.

H.H.第三世多杰羌佛的書法，匯聚五明之全面證德證境，方見墨情神至，又近年之草書以瘦金龍蛇無礙而寫，更見神韻風馳， 『翡翠玉』乃出仙風佛骨，徹底跳出三界外，豈然笑傲五行中，實乃非書之書，情懷宇宙。

如『朗嘎羅布』之書，已脫前人筆墨而超前者，脫俗無華，功力深厚，似砸釵碎玉，且見鋼打鐵鑄之風之『無我乃大成』，堅硬雄樸，鋒利破皮之勁道，然而又內蘊俊秀，娟美溫愜，確堪躍古騰今之書風格韻。『小不點』，孩兒天趣，老叟童心，毫不拘束佈局擺章，非書而書，消盡煙火之氣，內藏儒雅風魂。

然而事實上，於實踐中，HH第三世多杰羌佛的書法正是『基深內養，始行萬里，感諸境入性，吸萬物靈媚於合筆內情之間』而得此超凡之化境，含藏宇宙萬物於佛手一掌之間。因而HH第三世多杰羌佛筆下字字珠璣，遒潤曼妙，無所不具，統諸家之長於一人之筆，懷萬谷峻風而獨笑毫端，豈可言喻！要龍飛鳳舞，具之；要砸釵金石，已見；要柔中見剛，然也；要老叟童心，即是；要格韻清奇，內含。一言以蔽之，真正是爐火純青，返樸歸真，佛之書矣！

https://iamasf.org/exb-hhdcb3/

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